Interviews


Interviews04 Mar 2006 11:05 pm

Jake: Do you have any favorite songs or albums you’d like to share?

John: Sure. Favorite albums, you know, are going to vary a lot. And when I’m thinking of favorite albums relative to a listening environment I’m thinking in terms of acoustics, playability, or transferability of studio B to C to D. We call that translation; does the studio translate well? I tend to go after particular producers and their certain bodies of work or a particular production team as opposed to just an artist. And the only artist that I would say I would do that with would be someone like a Pink Floyd because their artistry and music is embedded in their production style and they’re very, very picky about it. I wouldn’t put that with any other band; they’re kind of in their own world. One, because they don’t release very much, and two, when they do release, they’re nit-picky about every [darn] detail, even when they play live. And even when they were [together], once every five years was probably quick for them because of the detail they put into their productions. So for a band, I wouldn’t have a favorite for the purposes of translation, but for a producer, people like Quincy Jones would come to mind and [otherwise] it would be a producer [and it] wouldn’t matter which genre of production [he or she] did. You know his productions are all going to be pretty good because his standards of arrangement and production and the quality of his engineering staff are all quite high. So those Quincy Jones productions by and large, would be good to check out. As far as trying to find out “how did your room do,” Pink Floyd albums would be good to check that out. A lot of artists’ albums I would not try to check anything [with] because one might sound really good but actually might be kind of lousy because they [use] different production teams a lot of the time. So that being said, you know, I’d rather not get into the genres of this band or that band. I don’t think of it that way when I pick people to play. Only in an environment where I want to check out the sounds [would I] pick [these things], you know.

Jake: And how would you define the field you’re working in? (more…)

Interviews19 Feb 2006 02:48 am

Jake: Do you have any favorite songs or albums?

Paul: Sure I know lots of favorite songs and albums.

Jake: Anything in particular?

Paul: Alright, the most played album in my collection is Kenny Burrell and Jimmy Smith – Blue Bash. I’ve worn out one copy on vinyl and I’m in the enjoyable process of wearing out my second. I have it on CD also but it doesn’t sound nearly as good as the vinyl. Recorded by Van Gelder. Recorded in his home, his personal studio… actually his parents home.

Jake: How would you define the field you’re working in?

Paul: The field I’m working in, I help musicians get their music out so that it can be heard at its best.

Jake: I understand you have more than a working knowledge of acoustics because of your interest in sound production. More broadly though, how does acoustical knowledge help you do what you do?

Paul: The biggest way is it allowed me to design a room for careful listening, which is what we’re sitting in right now and its a very important tool in what I do. So over the years having worked in a few studios and having built several I’d learned enough that when I built these two new rooms I had a lot better idea what I was doing than previously and so I was able to build very workable tools, that’s the main thing that counts. Additionally, when I have to listen in other rooms, I have a better idea of what I’m listening around. And I do listen in other rooms, I check my work in a variety of other rooms including cars, and so that’s helpful. That’s the main thing.

Jake: So if I have a small studio apartment, approximately 2000 cubic feet, and I’d like to use if, for example: for mixing, single track recording and mastering; and I can afford maybe $1000 to improve the acoustics, what should I do? (more…)